The suit adds less than twenty-five pounds to Stark's body mass, and can stop a howitzer shell. The nano-machines can even mimic the appearance of clothes, and then dissociate to transform into the Iron Man armor whenever Stark wishes. The neurokinetic user-controlled morphologic nanoparticle bundles that form the suit reside in Stark's body, and form a fibrous wetweb of iron and platinum, that can be commanded to form any type of structure upon Stark's skin, such as large boxing gloves, or weapons, including large guns extending from his arms or a lightsaber-like energy sword with which Iron Man was actually able to harm one of the Worthy. When asked if the Bleeding Edge is an upgrade to Extremis, Stark comments, "Nah-this is what comes next." As such the new armor is a part of Stark's now- posthuman biology-it is stored inside Stark's body in its entirety, "manifesting" itself when mentally commanded. įollowing the defeat of Norman Osborn, Stark created a new 'Bleeding Edge' Iron Man suit to replace the Extremis version. After his escape, in order to make the armor less frightening to the general public, Stark created a gold-colored version with a wide array of improvements over the original. The first Iron Man armor was created by Stark with the help of Ho Yinsen to escape captivity. When writer Tom Taylor and artist Yildiray Cinar created the 'Endo-Sym Armor' in 2014, they designed it to glow red/orange when Tony was angry. Created by writer Matt Fraction and artist Ryan Meinerding, this new armor is sleeker in appearance, and is featured in the 2010 crossover storyline, the " Heroic Age". In Invincible Iron Man #25 (2010), Stark creates a new armor in the aftermath of the "Stark: Disassembled" storyline. This 'Modular' armor was designed by Tom Morgan, and was the first that could be converted into a 'Hulkbuster' configuration. He devised a component system of armor that could be customised according to various missions, and noted he didn't "like to play fast and loose" with the rules of science and technology. His eventual successor Len Kaminski disagreed, and in 1994 decided the suit's abilities should be boosted drastically. When writing the title, David Michelinie avoided overuse of stealth technology in the armor. The 1994 'Modular' armor was designed by Tom Morgan. He later devised the 1985 red and silver/white 'Silver Centurion' armor with input from Mark Gruenwald, who directed him to base it along Samurai motifs. In 2008 he recalled that editorial directions in 1981 were that going into space was "a big deal", and devised the first space-going Iron Man suit with this edict in mind. īob Layton would redesign the character's armor several times during his stint on the book. It was recoloured gold for the character's initial batch of adventures in Tales of Suspense, before being redesigned again by Steve Ditko later in the year - this was the first version to feature a red and gold/yellow scheme, which would come to be Iron Man's most recognisable look. While Tony Stark himself was designed by Don Heck, the designer of the character's first suit of armor in 1963 was Jack Kirby. Every suit has a self-contained environment, assorted onboard weapons systems, enhanced strength, thruster-aided flight, and various communications arrays and sensors, such as radar and radio. They are made of incredibly strong, fictional materials bolstered by a force field. Stark's suits are each unique in design and purpose. In real life, it changed as different artists took over the series and decided to change it to what they wanted. In the fictional multiverse, the appearance of Stark's armor has changed over the years, either as a result of modifications made by Stark or specialized armors created for specific situations. The first armor was created in-story by Stark and Ho Yinsen, and was designed by artist Jack Kirby, first appearing in Tales of Suspense #39 (March 1963). It is built and worn by billionaire Tony Stark when he assumes the identity of the superhero Iron Man. Iron Man's armor is a fictional powered exoskeleton appearing in American comic books published by Marvel Comics.
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